Vladimir Propp
Propp researched into the typical structure of a folk tale,
or more commonly known a ‘fairytale’. Propp did this by analyzing over 100
tales which allowed him to conclude on one main theory depicting the typical
structure of a tale. The theory highlighted the typical characters seen in each
tale that allowed the story to unfold, each 8 typical characters had a role
within the tale that shaped the outcome of the novel, and this can still be
seen in films and novels today. These
characters were:
The hero: this typically is the protagonist of the novel, and is known for saving the princess or town.
The villain: this is the evil character of the
novel that fights against the hero preventing the happy outcome.
The princess: typically the princess is a prize
for the hero when he has overcome his quest and won against the villain.
The dispatcher: this is the person who sends the
hero on his quest, or, at times makes the hero aware of some kind of absence
that leads him on his quest.
The father: it was noted that Propp could not
clearly distinguish the functions of both the father and the princess, as at
time their intentions may overlap meaning- at times the father may be the
reason for the hero’s quest, and at times may be the reward similarly to the
princess.
The helper: typically the helper would be
magical in some way and will help the hero on his quest.
The donor: will give something to the hero that
will help him on his quest.
False hero: this is the typically other male
character that will try to reap the hero’s reward (the princess).
For example these characters can
still be seen in films today, such as, Shrek 2:
The hero: Shrek
The villain: Fairy God Mother
The princess: Fiona
The dispatcher: Fiona’s Father
The father: Also the dispatcher
The helper: Donkey
The donor: Puss in boots
False Hero: Prince charming
Tzvetan Todorov
Todorov researched into the typical
structure of a tale. This allowed him to conclude one theory that shapes the
beginning middle and end of a novel typically seen, although concise and
simple, it is still seen in films today. Todorov believed there were 5 typical
stages within a novel, or now, film.
A stable equilibrium: this meant that the
setting is usual and comfortable for the characters, and implies that there is
a comfortable calm within the novel/film.
A disruption: this is a part in the novel
where something bad or different may happen that causes a change in atmosphere
leading to the climax of the next stage.
Disequilibrium: this is the most climatic part
of the novel or film as it is when there is a big event that creates a complete
change in atmosphere that may cause fear or sadness, completely contrasting
with the beginning of the film/novel.
Repairing the disequilibrium: An attempt to
repair the disruption and bring back some kind of normality, repairing the
damage of the disequilibrium.
A new equilibrium: this is the typical happy
ending that shows a new happy, or comfortable state of equilibrium.
Below is a graph that shows the
changing state of the equilibrium and the stages:
Hi Maisie,
ReplyDeleteThis is a very good start to your blog - I am impressed you have taken the time to insert an additional post outlining the narrative theories of Propp and Todorov.
- You show a clear understanding of both theories.
T: Continue to use images and other media to make your blog interesting to read.