Poster Drafts

First Draft On paper

Second Draft On Paint

I particularly like the main image of the face in this image, it is something you expect to see in a horror poster: either the face of the protagonist looking scared, or the face of the antagonist  Considering my antagonist is 'an unknown entity' I have chosen to show the protagonist looking fearful. Similarly I like the colour red being used in my movie name and the blood hand print, as it connotes danger and clearly shows the genre. I don't however like the image of the weapon being in shot, I think it deducts from the element of the unknown and makes the poster seem unprofessional. Missing from this first draft is a font that would be used on my poster as well as the credit block, release date, and any ratings or quotes.

Third Draft On Photoshop Using Original Graphics

In using original images I am able to see problems that may occur in making my final poster, such as, my schedule may be rearranged due to the fact some elements are more time consuming than I had initially anticipated. Such as, the blood streaks take longer to create the shape and the splattered effect. What I've also focused on in this draft is the details that are important in a poster, such as the layout, the release date, the billing block and quotes from magazines (including the magazine I will create as a part of this project). I feel there may be too much red and the visual hierarchy isnt clear, thus this is something I will experiment with in my redraft.  

Fourth draft on Photoshop using the image I will be using in the final draft 

Magazine Drafts

Typical layout of a magazine

First draft of my magazine done on paper

Second draft of my magazine on Powerpoint

In doing my first draft I have realised the main image is too similar to the poster and would be stronger for the horror poster. In this instance I should use an image that shows more of the actors face as it will be a form of promotion: the audience will see the famous actor and will be persuaded to buy the magazine. 

Third draft of magazine done on Photoshop using original graphics

Photographs for the Poster and Magazine

Poster images

Magazine images

Analysis of Magazines

The main image is unusual for the magazines typical style, conventionally a long shot of the main character is used, and their head is normally slightly overlapping the masthead as shown in the X-men addition. This is because the brand name is and colour is so recognisable that the image overlapping has become a typical feature, bringing visual hierarchy to the image. In this instance unconventionally for the magazine, a close up shot has been used from a high angle, with the character turning the head down to create a daunting, scary effect. The masthead however is not overlapped by the actors head as seen in X-men this could be because the head would completely consume the masthead taking away the title of the magazine, however, it could also due to the change in colour scheme. Due to the fact the iconic red of Empire has not been used they could have intentionally not used overlapping in order to make the brand name more obvious and easily seen in a crowd, making it easier for the audience. In the X-men edition however a cool blue background has been used contrasting with the Red, and the Green edition contrasts with the black background and the red lips. This shows that contrasting colours are used in each edition to make the brand name stand out, enhancing their brand identity.

Empire magazine is a leading film magazine conglomerate in the UK, and is included in the top ten most popular film magazines of the world. Published monthly since 1989, and produced by one of the leading publishing companies in the world: Bauer Publishing. This particular issue as said at the top of the magazine comes as a matching pair where the reader can choose its ‘alliance’ either buying the magazine featuring the Joker (the villain) on the front cover or, Batman (the hero). This is a unique selling point for the magazine as it targets both audiences of the film meaning the magazine is appealing to a wider audience, as well as, intriguing their already existing target audience of film magazines. The other magazine a more typical issue advertising X-men.

Interestingly the typical bold colour scheme has been adapted using the colours of the Joker. The masthead and main article cover line typically on this magazine would be red to create a brand identity; the colours are associated with the magazine. However, in this unique issue the colour scheme has been changed to a bright green the masthead has been changed to black with green lines and the cover lines also in the same shade of green. This draws more attention to the film whilst, uniquely contrasting with the typical colour scheme it makes the audience focus more on the magazine as it stands out by being in luminous green. The colour green is associated closely with the film and the character shown; however, it also creates a haunted horror feel. 

Film Schedule

Above is an inserted image of my filming, by shot and order of location. This is to ensure when filming I have filmed every shot featured in my storyboard. This schedule does not include extra shots that may be taken and edited into the trailer in the future. 

Trailer Storyboard

Trailer Shot Plan

Main setting a Secondary/High school, the trailer is predominantly shot in the underground of the school. Certificate shown at the opening, and production company.

SHOT ONE
Tracking shot introducing the film, loose frame, two characters One filming and Joy running ahead in a small hallway leading to an open balcony to the atrium- having a conversation about meeting the rest of the group for a filmed drama rehearsal. Diegetic sound, speaking and background sound leading to the atrium.
How it will be filmed: Me running after joy, an intentional wobble to show I am running, keeping the camera as steady as possible.


SHOT TWO
Film rating and quote

SHOT THREE
Establishing shot, loose frame, high angle/aerial shot, over the side of said balcony looking at an empty space, Ronnie is seen below looking up at the camera gesturing to the two girls to come down.
How it will be filmed: Leant on the balcony.

SHOT FOUR
Close up, tight frame, using zoom, Ronnie gesturing to come down.
How it will be filmed: Leant on the balcony.

SHOT FIVE
Tracking shot, loose frame, another hallway leading to the drama room camera begins to go out of focus so they stop to into close up of Joy smiling and laughing as they bring to camera back into focus.
How it will be filmed: Me running after joy, an intentional wobble to show I am running, keeping the camera as steady as possible.

SHOT SIX
'Based on real footage of the London Killings'

SHOT SEVEN
Establishing shot of the drama room the camera is set up on a stand filming a rehearsal of the performance, mid scene, the lights go out. The girls scream as Ronnie laughs. Cameraman switches the camera to night vision, as they decide to go to the underground light system to fix the lighting.
How it will be filmed: Using a tripod

SHOT EIGHT
Long shot of the underground, Joy, Ronnie, Raine negotiating their way through the metal bars and dangerous underground to the light system. They hear a noise and stop scared.
How it will be filmed: Using a tripod

SHOT NINE
Close up of Raine looking scared asking whats happening then screaming saying something had touched her as she goes of out shot.
How it will be filmed: Using a tripod

SHOT TEN
Writing on the screen 'When everything goes wrong and there is nowhere to turn'.

SHOT ELEVEN
Close up of a screw driver without blood with the diegetic sound of crying and screaming, with a light zoom, loose frame.
How it will be filmed: Using a tripod

SHOT TWELVE
Close up of a screw driver covered in blood with the diegetic sound of crying and screaming, with a light zoom, loose frame. (the iconic shot used on the poster).
How it will be filmed: Using a tripod

SHOT THIRTEEN
Flashback to the close up of a screw driver without blood with the diegetic sound of crying and screaming, with a light zoom, loose frame.
How it will be filmed: Using a tripod

SHOT FOURTEEN
Mid Shot darkness no longer in night vision, running away, diegetic sound of screams and crying.
How it will be filmed: Using a tripod

SHOT FIFTEEN
Mid-close up of Joy Crying looking scared in the corner of a dark room, in night vision
How it will be filmed: Using a tripod

SHOT SIXTEEN
Long shot Joy and Raine hugging Ronnie telling them to calm down whilst panicking telling the cameraman to stop filming
How it will be filmed: Using a tripod

SHOT SEVENTEEN
Mid-long shot tight frame of Ronnie and Joy arguing over what to do.
How it will be filmed: Using a tripod, rotating, slightly tracking/panning.

SHOT EIGHTEEN
Mid shot of Ronnie looking towards the camera holding a weapon in a threatening way looking scared, diegetic sound of crying and Ronnie shouting.
How it will be filmed: Using a tripod

SHOT NINETEEN
Establishing shot blurred of the setting to connote fear, diegetic sound of crying and shouting 'where is it? What is it?'
How it will be filmed: Handheld

SHOT TWENTY
Camera drops on the floor showing nothing as there are screams and crying then, silence.
How it will be filmed: Handheld

SHOT TWENTY-ONE
Name of Film and release date

SHOT TWENTY-TWO
Joy in the corner, in night vision, close up of her face 'We're not safe'. A scream darkness.
How it will be filmed: Using a tripod

[This plan does not include extra shots that may be taken and edited into the trailer in the future.]